Lens Distortions - Warm Cineovision Anamorphic Lens Flares
https://lensdistortions.com/vfx/#section-cineovision-warm
Introducing 40 new warm-toned Cineovision Anamorphic Lens Flares.
We‘ve put together a collection of Cineovision Anamorphic lens flares optimized for daylight and warm environments.
Whether you are looking for subtle light pings that give just the right amount of visual interest, or bold, textured flares to really make a statement, you’ll find it all here.
Pro tip: When searching for lens flares on our website, use a combination of “Warm,” “Cool,” “Bold,” and/or “Subtle” characteristics to find the perfect flares for your project.
Comments: (0)
For years, Lens Distortions has been the definitive source of cinematic sound effects for modern creators. Our original SFX products provide world-class ingredients you can use to build powerful audio sequences in your films.
But as all filmmakers know, building impactful audio sequences from scratch is often tedious and you don’t always have the time to do it well.
With Sound Design Tracks, the hard work is done for you. Get pre-built, professional sound design in the simplicity of a single audio file.
Cineovision anamorphic lenses offer quintessential blue streak flares with lovely oval bokeh.
Whether you need to accent your title sequence with subtle light pings or grab attention with bold hits of light, these anamorphics continue our legacy of offering the most tasteful lens flares in the industry.
Pro Tip: Work with the existing light motivation in your shot. Anamorphic flares are pretty bold, so use them sparingly.
With subtle crimson warmth and unique linear texture, these overlays are distinctly beautiful and surprisingly versatile.
Use the bright, bold flares to punctuate edit points in your films, or use the subtle, minimalistic flares to add delicate splashes of light to your title sequences or conceptual C4D renders.
Pro-tip: You can easily color grade these lens flares to be a bit warmer for golden hour footage, or a bit more neutral for daylight shots.
For years, Lens Distortions has been the definitive source of cinematic sound effects for modern creators. Our original SFX products provide world-class ingredients you can use to build powerful audio sequences in your films.
But as all filmmakers know, building impactful audio sequences from scratch is often tedious and you don’t always have the time to do it well.
With Sound Design Tracks, the hard work is done for you. Get pre-built, professional sound design in the simplicity of a single audio file.
Finishing LUTs are designed to tie your entire sequence of shots together, resulting in a cohesive, cinematic tone. They’re less about infusing new color into your project and more about tightening up all of your shots around a disciplined color palette.
The focus of each Finishing LUT is uniform consistency across all of your footage, preservation of color integrity, and a stylized look – in that order.
Whether you use them as a starting point, in conjunction with other LUTs you already own, or as the final touch in your workflow, Finishing LUTs can improve your color grading process.
Note: Finishing LUTs are not conversion LUTs. If you shoot in LOG format or a different color space, please normalize your footage to Rec. 709 before applying a Finishing LUT.
Lens Distortions Sound Design Tracks WAV-FANTASTiC
FANTASTiC | 21 October 2022 | 727 MB
Powerful sound effects arrangements in a single audio file
For years, Lens Distortions has been the definitive source of cinematic sound effects for modern creators. Our original SFX products provide world-class ingredients you can use to build powerful audio sequences in your films.
Classic Light Hits is soft, warm, and natural… the essential library of flares every filmmaker should have access to.
Whether you make cinematic commercials, narrative projects, or wedding films, you’ll love having the ability to splash a bit of light into frame to add that extra something.
These are not your stereotypical, over-the-top lens flares. Each Light Hit is shot in-camera and designed to be subtle, with a balance between rich tones and nuanced detail.
Pro Tip: Work with the light motivation in your shot. Only place a Light Hit in a place where light would naturally be emitting from.
SermonBox - Seasonal Collection
SermonBox - The Series Pack Collection
Top Rated News
Would you like to be a Author?
